DENNIS JENDERS
Venice, Italy · 2018
I fell in love with Venice. Not the postcard version, the real one. We stayed off the tourist track as much as we could, talked to the people who actually live there, and ate where they ate. You hear how much of that is slipping away, how the city is becoming pizza, pasta, and gelato for people passing through.
But it is still there if you look. The canals, the back alleys, the glass, the graffiti, the light coming off the water at dinner. The whole place feels like something made. It has stood for centuries as the water rises around it, and it remains one of the most beautiful cities I have seen. One of the first cities I truly fell in love with.
Buy Prints from this Gallery →
Evening on the Water
A Venetian side canal in golden-hour light, moored boats and warm reflections. The quiet Venice, away from the crowds.
The Narrow Way
A narrow Venetian canal drawing the eye between the buildings to a distant bridge. Still water, tied boats, a corridor of stone.
The Lion of Venice
The bronze winged lion of Saint Mark in profile, the basilica’s gold mosaics dissolving to soft light behind. The symbol of Venice, close enough to read the patina.
The Red Church
A coral-red Venetian church corner rising into deep blue, the bell just breaking the roofline. Venice at its most saturated.
Dome and the Sky
A Renaissance church and dome in Venice, warm stone against clean blue. Everyday Venice living right up against the majestic.
Light Through the Tracery
The Gothic arcade of the Doge’s Palace, sunlight pushing through the quatrefoil openings and printing them on the wall behind. The building drawing with its own light.
The Bronze Doors
Weathered bronze doors in green and gold patina, a repeating scale pattern set with rows of lion-head knockers. Venetian metalwork worn soft by centuries of hands.
The Quiet Calle
A narrow Venetian calle in shadow, a single iron lamp overhead, drawing the eye to sunlit steps at the far end. The Venice between the postcards.
Living Here
A sun-warmed Venetian facade, green shutters and geraniums on every sill, plaster worn back to the brick. The lived-in city, not the monument.
